This weekend saw my occasional visit to my sister’s book club in the wonderful city of Cologne, Germany. It was my third appearance and since my last, at the beginning of this year, the makeup of the group has changed somewhat, with a couple of long-running members leaving for various reasons. Book clubs can contain some friction between members, primarily over choices for forthcoming meetings, which sounds fickle but can result in some real arguments over the direction of the club. Anyway, ths turbulent passage has passed for the Cologne club and the core group is the same, so there were plenty of familiar faces to catch up with and an interesting book to discuss.
Rose Tremain is probably most famous for her novel The Gustav Sonata, which I believe was a Man Booker winner. Our choice was The Road Home, her tale of immigrant Lev, who comes to London from an unnamed European country (a stylistic decision which I found a little grating) to try to provide a better life for his family back home. In the current political climate this topic is something of a hot potato, so I was looking forward to a warts-and-all story of hardship and toil which sunk its teeth into the issues surrounding those who seek a better life in a faraway country.
Unfortunately I came away from reading the book a little disappointed. Whilst Lev does go through many travails as he attempts to carve out a niche for himself, the narrative never gave an impression that these problems would prove unable to solve. Indeed, Lev’s rise from humble sawmill worker to leading chef required an enormous suspension of disbelief to get your head around. The plot was unrealistic to me. On a number of occasions I thought Tremain relied on a perfect coincidence or a vast gesture of goodwill from a fellow character to propel Lev’s journey along. The right person tended to pop up at exactly the right moment, either with financial help when he most needed it or the offer of a roof or employment. I wanted to enjoy the kindness of the strangers he met, but I’m afraid my possibly world-weary cynicism prevented me from doing so.
There were some very jarring episodes in the story that felt completely out of place, too. Lev gets into a relationship with fellow kitchen worker Sophie, a woman many years his junior, and after it breaks down, there is a bizarre, borderline rape scene which is explicit in detail and is glossed over with very little explanation or fallout. Later on, Lev goes to work picking fruit on an East Anglian farm and there is another peculiar scene where two Chinese workers seduce Lev after a night out. Again, it’s as if Tremain forgets this ever took place, for it is barely mentioned the next morning. The flow of the story is interrupted by such acts and just added confusion and a hint of ugliness that is completely at odds with the charm and romanticism of the rest of the narrative.
I wanted to like this book more than I did, for I admired some of the minor characters greatly and Tremain skeched them with a lot of skill. And I liked the positive theme of human kindness that threads through the book. We could all be more empathetic to our fellow human beings, after all. But the narrative flaws were too much for me to get over and as such I’d have to say that the book is an gallant, but flawed exploration of the immigrant experience.