As I wrote in my last post, I had a feeling that during the coronavirus lockdown, with the traumas of the pandemic being felt daily, that attempting to get anything creative done would be a challenge, despite everyone’s best intentions.

And for me at least, so it has proved. It’s pretty much as I suspected, with a couple of caveats. Yes, it’s tough mentally to get to a place of relative calm and fortitude where creativity can spring forth. But I’m also working very hard at the moment. Working from home may seem like a jolly but the company I work for is busier than ever during the lockdown. The ecommerce side of the business has gone through the roof, most likely because even in isolation people can still get plumbing and DIY jobs done. They’ve obviously got a lot more time on their hands.  Which is great for us, but has made our lives manic these last few weeks.

So tiredness and work stress has reared its ugly head, which hasn’t helped to say the least. A majority of our staff members have been furloughed to keep the business afloat.  The rest of us are running at double speed to keep things going by hook or by crook, and even though I sit at my desk most of the day, I find by the evenings I’m exhausted, especially mentally. To try and get myself up for writing is tough, and that’s without the anxiety about the virus, which is always bubbling beneath the surface.

With all that in mind, and again as I intimated in my last post, I’ve gone back to Gaslight to work on the final draft.  It’s been a few months since I last looked at it, which is ideal, as I can be ruthless with my cutting.  It’s the process I enjoy the most, and I hopefully I get to fall in love with the characters all over again. They should seem like old friends again as I get deeper involved. I’ve only scratched the surface so far, no more than ten pages in, but it’s been fun.  It might only be minor tinkering, but as things stand, that’s not too bad. I can certainly live with it.


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